Global Design Forum İstanbul

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A new international platform for Design in İstanbul.

Global Design Forum İstanbul is launching a new programme of talks, installations and citywide experiences taking place 13–16 May 2026 in İstanbul, Türkiye.

Organised in collaboration with People Places Ideas (PPI), this is a new design platform where global perspectives and İstanbul’s living cultural landscape meet. The Forum brings global voices into conversation with local contexts, traditions and futures – creating an innovative space for design, culture and ideas in one of the world’s most layered cities.

At its core, Global Design Forum İstanbul is a thought leadership programme, featuring two days of curated keynotes, panels and in-conversations shaped around the theme Worlds in Contact.

Across the four days, the programme extends beyond the Forum through citywide programming including İstanbullar: Design Route, public installations, and a design competition, creating encounters that move between ideas, places and people across the city.

Artistic Direction is led by Melek Zeynep Bulut, Founder of People & Places & Ideas, with curation by Forum Content Advisor Beatrice Galilee. The core team is supported by Beral Madra (Art & Culture Advisor) and Celâleddin Çelik (Architectural Advisor).

Our principal motivation in inviting Global Design Forum to İstanbul, and aproach it as “Global Design Forum İstanbul” with city-wide programming is to bring this magnificent city’s unique identity and creative potential into dialogue with the international sphere and we are delighted to engage with the idea of site-specificity together with the ambition of bringing this distinctiveness into dialogue with the international design community.

İstanbul is a city that neither begins nor ends; one that derives its singularity from the ways its fragments connect, and whose boundaries can never be fully defined. It stands as one of the most idiosyncratic cities in the world.

We approached the city precisely through this special “in-between” lens and its unique juxtapositions. Our focus is on the relationships between fragments, on modes of connection, flows, and encounters.

Global Design Forum İstanbul 2026 frames creativity as an inquiry that deliberately places side-by-side systems and ideas that do not naturally belong to one another, yet can coexist, thereby revealing new attitudes and new modes of positioning. We imagine the whole programme as “a performance in the city.”

The aim of this juxtaposition is to generate production itself. Here, creative practice is positioned not as the construction of a unified whole, but as “an attention that moves among singular fragments and their connections”. We investigate what can work with what; which unexpected contact might enable a new meaning, a new language, or a new object.

Global Design Forum İstanbul privileges process over outcome; persistence in adjacency over harmony; potential and inquiry over clarity. It ultimately seeks to celebrate design, creativity, and idiosyncrasy within the city.

Within this framework, we have enriched the programme carefully with four creative happenings, conceived to elevate the synchronisation between this globally accomplished and distinguished platform and the city, whose singular character and cultural cadence offer a compelling and resonant setting.

The first of these focuses on Placemaking: an installation programme that hosts a series of interventions and inquiries rooted in the city’s deeply embedded material heritage and spatial culture.

Among these, the inaugural installation draws upon Türkiye’s longstanding timber tradition, reinterpreted through the vision of an internationally acclaimed designer.

The other adopts a more participatory methodology, exploring processes of spatial formation within the city. Developed in collaboration with leading architectural practices and our foremost universities, these installations invite collective reflection on the evolving urban fabric.

The second approach is framed as Rethinking. Here, we propose to reawaken a culture of gardens at key threshold points across the city. In İstanbul, a city with a deeply rooted tradition of soil, cultivation, and garden culture, this initiative seeks to reconsider and reinterpret that heritage within a contemporary urban context.

To this end, we intend to launch an international competition for a site in the Yedikule district, thereby offering the city a thoughtful and forward-looking proposition through design.

The third approach is centred on Storytelling. İstanbullar is conceived as an editorial, auditory, and visual work of metafiction, an evolving narrative framework through which the city may be read, heard, and reimagined.

It operates as an interactive creative network, bringing together İstanbul’s designers through visual, sonic, and editorial contributions. In its first iteration, İstanbullar will identify forty design works, artworks, and spatial sites across the city. Texts for each will be commissioned from editors and the city’s storytellers, while emerging designers will produce innovative illustrations, as well as sound and visual content, creating a layered and collective portrait of İstanbul.

And, of course, at the heart of the programme lies the Forum itself. Developed alongside Forum Content Advisor Beatrice Galilee, this is a platform for intellectual exchange and critical reflection.

Melek Zeynep Bulut, Founder, People Places Ideas & Artistic Director, Global Design Forum İstanbul

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13–16 May 2026

Topkapı Palace, Istanbul  ·  View on map

Praise of Transience

Focusing on research into architecture and identity, this programme encompasses installations, experimental stages and workshops that invite audiences to engage deeply with the city’s dynamic and fragmented nature.

“In Praise of Transience” conceives of the city not as an unchanging physical entity, but as a state of attention composed of moving fragments. “Attention circulating between fragments and connections” is the experience the programme envisions; the installations are positioned as points of attention.

The installations are multi-layered works conceived through a participatory methodology, exploring the ordinary processes of spatialisation and identity within the city.

Situated at various points across the city, the installations establish fleeting relationships with the space; they emerge, transform and vanish. The experience begins and continues with the encounter itself, rather than with form. A fleeting presence in the city -- is the fundamental motivation for this encounter. This approach suggests that architecture should move away from the habit of producing objects and instead focus on forms of relationship-building.

Pavilion of the Moment

by Waugh Thistleton Architects
in collaboration with the National Wood Association and TORID
Pavilion of the Moment is a timber structure composed of slender boards of Turkish Pinus Nigra, whose rhythmic repetition evokes the transience embedded in traditional patterns. The pavilion draws on the geometry of the adjacent Hagia Irene, abstracting the relationship between cube and sphere to create a centred, meditative space.
Lightweight and demountable, it offers a deliberate counterpoint to the surrounding monumental architecture. Rather than asserting permanence, it proposes a public space for reflection - one in which architecture is experienced as temporal, rhythmic, and regenerative.
Designed by Waugh Thistleton, a global leader in timber construction, the pavilion also signals a necessary shift towards more sustainable building practices. Timber, as a renewable and low-carbon material, brings proven benefits for health and wellbeing. Building with timber represents a step change - one that reframes our relationship with the natural world and invites a more balanced coexistence between human activity and ecological systems.

The remaining works from the Placemaking Program will soon step into the light.

Topkapı Palace View on map